|November 2019||6th Annual Taking Root luncheon|
|August 2019||West Texas with Sean Hogan and Preston Pew||March 2019||Budding Out Festival|
|January 2019||Fall Collecting of Deep East Texas Denizens|
|November 2018||An Exciting and Productive Seed Collecting Expedition in Central Texas|
|October 2018||5th Annual Taking Root Luncheon|
|August 2018||Living and Extinct Botanical Jewels of Deep East Texas|
|May 2018||Plant of the month: Hemiphylacus hintoniorum|
|March 2018||Peckerwood Nursery Grand Re-opening!|
|January 2018||Peckerwood Gardens spearheads Texas Aspen Preservation Project|
|December 2017||Alpine-style Warm Climate Rock Garden update|
|November 2017||Six Days Collecting Rare Oaks in Four States|
|October 2017||Chasing the threatened Hinkley oak –|
|July 2017||The Natural Side of Peckerwood|
|June 2017||Plant of the month: Purple Jade Vine (Mucuna cyclocarpa)|
|May 2017||On the trail of the blue horsetail|
|April 2017||In Search of a few East Texas rarities|
|March 2017||Preserving Ancient Giants at Peckerwood Garden|
|February 2017||Preserving a Stunning Golden Live Oak|
|January 2017||Visiting exciting plant collections through the Carolinas|
|December 2016||It’s Not the Borer’s Fault!|
|November 2016||Collecting Scrub Oaks and Other Xeric Plants from Florida’s Sandhills|
|September 2016||Acorn Sale Coming Soon!|
|August 2016||Plant of the month: Quercus tarahumara; Collaborator Visits|
|July 2016||Caribbean connections|
|June 2016||Introducing our monthly “Peckerwood Insiders’ Tours”|
|April 2016||From the Propagation bench|
|March 2016||Trilliums and Bloodroot|
|February 2016||Amazing Acer in the Garden|
|May 2015||Friends of Peckerwood Day|
|March 2015||Spring Open Days|
A visionary garden creator and plant explorer, John Fairey has had a significant influence on the plant palette and design aesthetic of southern gardens.
IT’S HARD TO pigeonhole John Gaston Fairey. He’s probably best known for Peckerwood Garden, the internationally acclaimed oasis he created over the last 40 years on an old farmstead in Hempstead, Texas, some 50 miles northwest of Houston. But over the course of a diverse career, the 84-year-old Fairey has also made a name for himself as an artist, college professor, conservationist, nursery founder, and plant explorer with a particular interest in Mexico’s flora. Through the unique array of trees, shrubs, woody lilies, and perennials from Texas and Mexico trialed at Peckerwood and distributed through public gardens and Yucca Do Nursery—a specialty mail-order nursery Fairey co-founded in the 1980s—Fairey has expanded the palette of plants available to gardeners throughout the American South. “John has truly been a pioneer in finding and popularizing plants from Mexico,” says Tony Avent, proprietor of Plant Delights Nursery in Raleigh, North Carolina. “While John certainly wasn’t the first American to botanize Mexico, his broad interest in plants other than cacti, the sheer number of trips, and his mail-order nursery outlet allowed a huge array of John’s finds to be distributed far and wide—something that many prior collectors failed to do.” Acknowledgment of Fairey’s accomplishments has come in the form of numerous awards, most recently with the Scott Medal and Award from the Scott Arboretum of Swarthmore College in Pennsylvania in 2013. He has also been recognized for his teaching, earning a National Teacher’s Award from the American Institute of Architects. Fairey and his former partner at Yucca Do Nursery, Carl Schoenfeld, received the American Horticultural Society’s Commercial Award in 1996 for their work.
Fairey’s straightforward explanation for his passion is, “I garden because I want someplace wonderful to live.” He grew up gardening on his family’s farm in rural South Carolina and recalls weeding his mother’s garden in the mornings. Visits to Brookgreen Gardens near Murrells Inlet, South Carolina, as a youngster, along with exposure to a lively community of gardeners set him on a course that eventually found its greatest expression in Peckerwood Garden, one of the most ambitious and beautiful gardens and arboreta in Texas. As a young adult, Fairey moved to Philadelphia to study painting and pursue a career as an artist. Eventually he made his way to central Texas to teach design to architecture students at Texas A&M University in College Station. It was while exploring the byways of this section of southeast Texas that Fairey’s career took a radically different route.
PECKERWOOD’S EARLY DAYS
No one who witnessed Peckerwood’s humble beginnings in 1971 could have predicted that the garden would have a far-reaching influence on gardeners and garden designers in Texas and beyond. A realtor showed Fairey the property surrounding a neglected farmhouse in rural Hempstead and he in the novel Auntie Mame, as well as for the many resident woodpeckers. In 1983, a tornado destroyed or badly damaged many of the pines that shielded the garden from the Texas sun. Overnight, the garden’s aspect changed from protected and shaded to open and sun-drenched. With the character of the garden radically altered, Fairey was forced to adjust his approach. Needing plants that tolerate the intense heat, he began to seek out regionally native plants, aided by a 25-year friendship with Texas native plant pioneer Lynn Lowrey. According to Fairey, joining Lowrey on a 1988 botanizing trip to northern Mexico was a life-altering experience, opening up a whole new realm of plants and an appreciation for the country’s botanical, ecological, and cultural riches.
HUNTING MEXICO’S FLORA
Over the next 25 years, Fairey made nearly 100 trips to Mexico, often teaming up with horticulturists and botanists from universities, public gardens, and nurseries. During these experiences, he learned how plants adapted to their specific ecological conditions in scrublands, pine–oak forests, rainforests, and alpine meadows. He observed how magnolias could thrive beneath the high canopy of pine–oak forest in one location as well as how agaves could benefit by protection from the hot western sun on the other side of the mountain. Traveling in isolated mountain areas required a sense of adventure and the ability to overcome obstacles such as broken-down vehicles, hazardous terrain, and unexpected health issues. Despite these challenges, Fairey relished each trip. Naturally, the knowledge acquired on these expeditions, along with the plants collected on them, found their way into the newly emerging garden at Peckerwood. As Fairey explained in an article published in Pacific Horticulture several years ago, “Because the garden is on the edge of three bio-geographic regions, the piney woods, the coastal plains, and the post–oak savannah, geography provides as much variety as weather does for growing conditions. Vital to our mission is a trial garden for
plants from areas that share similarly demanding conditions.” Plants and seeds from the expeditions also were shared with a wide array of public gardens, including the University of California–Berkeley, Harvard University and Smith College in Massachusetts, North Carolina State University (NCSU) in Raleigh, the University of California–Santa Cruz, the Chollipo Arboretum Foundation in Korea, and the Royal Botanic Gardens at Kew in the United Kingdom. In the early 1990s, NCSU horticulturist J.C. Raulston distributed more than 7,000 plants grown from seed collected on Fairey’s Mexico expeditions. Marco Stufano, former director of horticulture for Wave Hill in New York recalls the “golden years” of these distributions to public gardens. “We at Wave Hill were fortunate to receive many of his introductions through the legendary generosity of the late J.C. Raulston, who accompanied John on many of his expeditions,” says Stufano. “Those were heady moments when we unpacked John’s latest finds.” Fairey put his plant-hunting skills to work for the American Cancer Society (ACS) in 1991, when he and Schoenfeld were asked to lead a Harvard University expedition to locate Taxus globosa, a rare form of yew native to Mexico. The ACS was interested in extracting a compound called taxol from the plant to test it for effectiveness in treatment of ovarian cancer. In 1987, Fairey founded Yucca Do Nursery in partnership with Schoenfeld, a former Texas A&M student who had helped with the restoration of Peckerwood following the tornado. The mail-order nursery, originally located next to Peckerwood, served as a means to propagate and share some of the more promising discoveries from the trips (for more on plant introductions, see sidebar, page 26) with gardeners. Schoenfeld later became sole owner of Yucca Do and has since moved the nursery to Giddings, Texas.
THE ART OF THE GARDEN
Peckerwood has been likened to painting and to sculpture. Fairey approaches the making of the garden with equal parts intuition and practicality. “The constant pursuit of new plants for the garden design has kept us aware of the need to evolve the garden continuously. With each addition and change, new problems arise to be solved, resulting in the evolution of the garden both visually and conceptually.” Along the way, Fairey observed that some plants from northern Mexico were actually better suited to cultivation in Texas gardens than their native Texas relatives. For instance, in a planting of sycamores that were subjected to a deep freeze, only the one from the Mexican state of Nuevo Leon survived. Fairey also developed specific planting techniques to cultivate plants capable of withstanding the assaults of excessive moisture, drought, heat, cold, and rapid swings in temperature, all of which are characteristic of the continental Texas climate. A good example of this is his dry gardens, which are mounded and mulched with gravel—a trick Fairey learned from Lowrey—to get the plants above the difficult native soil and to provide excellent drainage. Agaves, beschornerias, dasylirions, yuccas, palms, and other plants from arid regions thrive in these beds, which also provide protection from the region’s temperature extremes. These techniques have informed gardeners in similar situations throughout the South. Fairey tells his art students that light “is a free commodity and should be used all the time,” and he has adapted that advice for his placement of plants in the landscape. In northern Mexico, he observed agaves and other woody lilies thriving under oaks, so at Peckerwood, accordingly, direct light is filtered through the highest canopy of oaks and pines to become dappled light playing off horizontal branches and vertical shafts of the understory trees and shrubs such as magnolias and summer-sweets (Clethra spp.). Light ricochets off the swirling fronds of palms and spherical spikes of yuccas and agaves before finally being absorbed by the more saturated colors of perennial foliage and flowers near ground level. Many shades of blue pervade the garden, in its palms, agaves, yuccas, nolinas, and dasylirions, providing a cooling respite in sunny dry areas as well as in the woodland. Fairey reminds his visitors that blue is psychologically cooling and that the movement of leaves is equally soothing to the soul. Fairey also pays particular attention to space, placing plants so they form a series of intimate areas, some created with undulating forms, others with abstracted divides, each a part of a series of experiences. Plants are shaped to frame a vista or left protruding beyond the frame, requiring the visitor to slow down and gently pull the branches apart in order to proceed. “I think of gardening as an aesthetic experience involving all the senses,” says Fairey. “You are forced in this garden to touch and feel and smell, whether you want to or not.” Visitors also note the contrasting areas of the garden, with the north side of the house wooded and dark and the south side dry and sparse, with a minimum of easy-to-maintain plants. Three Nolina nelsonii are lined up by the pump house with their slender spiky leaves playing off the vertical ribbing on the Galvalume siding, inspired by vernacular buildings fast disappearing from the rural Texas landscape. The house, designed by architect Gerald Maffei, one of Fairey’s colleagues at Texas A&M, faces south to catch the winter sun and features a deep porch roof that shields the house and veranda in the summer. The view from the veranda features palms constantly in motion from the prevailing Gulf breezes, the rustle of their leaves, helping to screen the house and garden from the sounds of the nearby road.
A SOLID FOUNDATION
The original seven-acre property has grown to 19 acres and the nonprofit Peckerwood Garden Foundation, which Fairey established in 1999, has acquired another 20 acres that was formerly the site of the nursery. The added acreage will be crucial to the garden’s future for a number of reasons, including as the site of an arboretum for its expanding collection of oaks. Mexico is the epicenter for oak distribution in the world and about half of the 230 oaks in the garden are Mexican species. The garden’s staff has grown along with the garden, rising to four full-time employees and aided by scores of dedicated, enthusiastic volunteers. One of Fairey’s goals with Peckerwood is to provide a cultural bridge between Mexico and the United States and to raise awareness on both sides of the border about the richness of the flora of northeastern Mexico. He also wants to draw attention to overgrazing and other economic pressures that are threatening the already fragile ecosystems. Fairey’s horticultural legacy encompasses plant exploration, conservation, garden design, and the introduction of a new palette of plants for American gardeners, yet for him the culmination of all these activities are reflected in his vision for Peckerwood. It is the art and science, as much as the beauty and conservation value of Peckerwood that has encouraged organizations like the Garden Conservancy to take an interest in the garden’s long-term preservation. The Peckerwood Garden Foundation is helping plan for a future that will not only share Fairey’s artistic vision but develop research and education programs to introduce plants that can enrich gardens and public landscapes in the region as a changing climate and diminishing resources intensify the challenges for people and plants. “Peckerwood is a laboratory garden testing a wide range of ‘new’ plants,” says Fairey. “It is a garden with a mission to encourage other gardeners to see a beauty in landscape that is consistent with our plants and climate. It is a garden that looks to the future, not to the past.”
ARTICLE AND PHOTOGRAPHS BY BILL NOBLE: This article was published in the September/October 2015 issue of The American Gardener, the magazine of the American Horticultural Society (www.ahs.org). Used with permission.
Formerly director of preservation with the nonprofit Garden Conservancy, Bill Noble is a garden designer, consultant, and freelance writer based in Norwich, Vermont.
Plant Delights Nursery, Raleigh, NC. (919) 772-4794. www.plantdelights.com.
Woodlanders, Inc., Aiken, SC. (803), 648-7522. www.woodlanders.net.
Yucca Do Nursery,Giddings, TX. (979), 542-8811. www.yuccado.com.
Big Idea: John Fairey and Peckerwood Garden
Idea person: John Gaston Fairey.
How it began: Fairey grew up in a little community South Carolina where both men and women gardened as a pastime. That’s where Fairey first had an inkling that, as he puts it, “Gardening is the highest art form because it evokes all the senses.”
In the late ’60s, he began teaching architecture and design at Texas A&M while he lived and kept a studio in Houston. Eventually Fairey tired of the drive, and in 1971 he bought seven acres in Hempstead, a town about halfway between Houston and College Station. As he rediscovered his love of gardening, he expanded the property to 39 acres. He called the place Peckerwood Garden for two reasons: as a salute to the plantation in Auntie Mame; and in recognition of the woodpeckers that frequent the property.
How it grew: At first, Fairey played it safe and planted azaleas, camellia, and other species familiar from his South Carolina childhood. But as friends gave him trees, plants, and shrubs, he began to experiment.
In 1983, a tornado hit the garden, and he lost all of the original trees. “It’s not going to cure itself by just looking at it,” Fairey thought. He set to work rebuilding, filling the former shade garden with sunloving plants.
The garden’s mission evolved in 1988, when Fairey joined a plant expedition to Mexico. With Texas plantsman Lynn Lowrey as his mentor, he started collecting seeds of rare Mexican plants and bringing them home to propagate. Over the years, Fairey returned to the Sierra Madre Oriental mountain range in northeastern Mexico 100 times.
Too often, he found evidence that overpopulation was destroying many of Mexico’s native plants. When he went to view rare plants that he had admired months earlier, he was often saddened to find that they were dead or had been eaten by goats.
On each trip he expanded his collection of sun-loving plants such as palms and agave. On the grounds of Peckerwood, he mingled them with unlikely “soil” mates such as magnolias and pines.
Along the way, he expanded his collection of plants from the american Southwest, and started exchanging seeds with Asian collectors. “We have so much to learn from our neighbors. Plants know no borders,” Fairey says. “Therefore, why should civilized people?”
That approach has made Peckerwood a unique natural environment centered around heat- and drought-tolerant plants — and thus, plants that are well-suited to our area’s changing climate.
Today the typical gardening philosophy is: Plant native. Fairey likes to experiment and plant what grows. He shares his seeds, plants, research, and knowledge with nurseries, research institutions, and the public.
Fairey doesn’t see gardening like painting. For him, paint is paint, and a garden is a three-dimensional experience and environment not a two dimensional canvas. But at Peckerwood Fairey pairs his mission of rescuing plants with his need to create a beautiful environment.
Although he’s resolute on the point that most of gardening is “heartbreaking hard work,” he concedes that there is magic in his handiwork. “The magic is in the fall and winter light dancing and bouncing one canopy to the next. It is truly special when you can get five canopies layered in a garden.”
His favorite plant color is silvery blue-green: “It is psychologically cooling in the heat of summer and dazzles the eye in winter with the lower light.”
He sees Peckerwood as philosophical statement as to the virtue of patience, which he came to appreciate teaching design at A&M for thirty years.
“Significant beauty takes time,” he maintains. He bought a magnolia from Lynn Lowery in the 1970s that took 19 years to flower. “It was well worth the wait,” says Fairey. He’s also outlasted freeze damage, drought and failure. “You just have to learn to live with these things,” Fairey says. “To be optimistic whatever happens.”
Although Peckerwood is a private garden, it is open to the public on select weekends and by private tours year round. “What gets me excited is everyone here that has a part in making the garden special,” Fairey says about visitors to Peckerwood.
Next steps: Fairey has created a Peckerwood Garden Foundation and is working with the Garden Conservancy, a national organization, to transition into a public garden.
Bottom line: “It’s the act of planting the plant that’s important.”
Andrea White Gray Matters Contributor, Houston Chronicle
Second Annual Taking Root Luncheon
THE PLANT MAN: Garden Design Magazine. May 9th, 2012
John G. Fairey, a flora collector with a rare eye for design, transformed a Texas landscape into the famed garden Peckerwood. This is the story of a plant man and his garden. –
John G. Fairey’s eyes widen when he is asked to name a favorite plant, as if he’s been asked to choose his favorite child. “Why, all of them,” he replies softly in a sandpapery Southern lilt. And given his surroundings—some 3,000 species of rare and endangered plants at Peckerwood, his 40-year-old, renowned private garden near the Texas town of Hempstead—you’re rather inclined to believe him.
Named for the Georgia plantation in Auntie Mame, Peckerwood has earned plaudits for its astonishing collection of plants—largely from Mexico and Texas but also Asia—and for the horticultural skill with which Fairey grows them. It also deserves attention for the artistic design of its landscape—unusual for the garden of a collector, in which acquisition often supersedes design considerations.
Fairey’s vision for Peckerwood, which includes a light-dappled woodland, several shimmering dry gardens, and a parklike arboretum, developed not gradually but in a transformative awakening during a trip to Mexico. An artist and professor of design at Texas A&M, Fairey had bought 7 acres near Hempstead, an hour’s drive northwest of Houston, in 1971 as a country retreat. He planted azaleas, camellia, and other species familiar to him from his South Carolina childhood, but his interest in collecting plants wasn’t sparked until he met Texas plantsman Lynn Lowrey, who often trekked into Mexico to search out little-known species to bring back for propagation.
Fountain heads by Otis Huband. Photo by: Marion Brenner.
SEE MORE PHOTOS OF THIS GARDEN
In the summer of 1988, Fairey joined Lowrey on one of his expeditions to the Sierra Madre Oriental mountain range in northeastern Mexico. They explored from desert to cloud forest, says Fairey, and searched for plants from dawn until after dark, by flashlight. The adrenaline high of the hunt hooked Fairey immediately, as did the evidence of the loss of fragile habitat caused by the overgrazing of goats and the sense that he could help save plants from extinction.
Over the years, Fairey returned to the Sierra Madre 100 times, fascinated by the variety and architectural beauty of the plants he found there. Back home he began using a newfound palette of sun-loving plants like yucca, agave, dasylirion, nolina, and dioon in his dry gardens and designing with shape and form, wind and sunlight, rejecting in one swoop both the English tradition of soft, flowering borders and the European model of formal framing and symmetry.
Today, plants reign supreme at Peckerwood, providing structure for garden rooms with their architectural forms and through massing of related species—“counterparts,” he calls them-from different parts of the world, like his screen of mahonia from both Asia and Mexico in the woodland garden. And as John Troy, a San Antonio landscape architect, points out, Fairey also plays up a feeling of surprise and dissonance by mingling plants not normally seen together on this side of the border, like palms and magnolias, pines and agaves.
One encounters these arresting combinations throughout Peckerwood but especially in the sunny, dry garden on the west side of Fairey’s residence, a two-story, corrugated steel-sided structure with a shady porch and attached art gallery. In the dry garden, fine, rounded gravel surrounds the plants and flows between them, forming paths and creating a natural-looking “floor,” knitting the garden together with a consistent color and texture. To the northwest of the house, in the woodland garden, pine straw supplants gravel, mulching plants and quieting visitors’ footsteps. Throughout, paving, walls, and other hardscaping are kept to a bare minimum, enhancing the naturalistic look.
On the south side of John Fairey’s home is a fenced courtyard filled with Brazos River pea gravel and flagstones and a walkway constructed of quarter-inch steel plate frames paved with “iron ore,” a local gravel-and-clay mix. The two-part steel sculpture,Positive and Negative, is by Texas artist John Walker. The small tree to the left of the sculpture is Fraxinus greggii (little leaf ash). Behind the sculpture stands a small colony of Yucca rostrata. Photo by: Marion Brenner.
Fairey enjoys the act of planting and likes to experiment, digging things up and trying new combinations with such regularity that a friend once remarked he’d “never seen a plant at Peckerwood that wasn’t on the end of a shovel.” When siting plants, Fairey considers the play of light on leaves and the ever-present Texas wind, especially in the dry garden. During the blazing summer, that space is psychologically cooling thanks to an abundance of silver and blue-green leaves, like those of Yucca rostrata, a strappy Koosh ball of a plant that responds to every cooling breeze with a dazzling shimmer. Round forms and modernist geometry dominate here; spherical plant types like Echinocactus grusonii,Dasylirion longissimum, Nolina nelsonii, and Xanthorrhoea quadrangulata create a bouncy rhythm. Compensating for gully-washer summer thunderstorms and winter rains, Fairey elevates each plant for drainage on its own gravel hillock, “because I like mountains,” he laughs, a reference to his passion for exploring Mexico’s northeastern range. But Austin landscape architect James David sees the artist’s eye at work. “Individual plants are put on gravel pedestals for you to admire,” he says, “like buckets of hyacinths on display in a flower shop.”
“Every bit of the garden is thought through from a design standpoint,” says Bill Noble, director of preservation at the Cold Springs, New York-based Garden Conservancy. “If you know plants, then John’s collection will blow you away. If you don’t know the plants, you can still appreciate their beauty and the design of the garden.”
Because Peckerwood is such a unique repository and because Fairey is looking to the garden’s future, the Garden Conservancy is assisting him in transitioning it to a public entity. Asked what he would like for gardeners to take away from a visit to Peckerwood, which today encompasses 39 acres, Fairey says simply, “diversity.”
“John has expanded the palette of plants for gardeners in the South, Southeast, and Texas,” says Noble. “His garden has a lot to teach.” After a lifetime of teaching, Fairey remains himself an eager learner, continually experimenting with plants and treating his garden as an artist’s canvas on which he paints with light, foliage, and even the wind.
To plan a visit to Peckerwood Garden, go to peckerwoodgarden.org.
See the original article at: http://www.gardendesign.com/houston/hempstead-peckerwood.html
Caroline Seebohm, author
Photographs by Curtice Taylor
Published by The Monacelli Press
Canopy: 3939 Montrose Blvd, Houston
Admission: $20/$15 PGCF and ICAA members, includes refreshments
6 pm Cocktails
7 pm Presentation and book signing
Memberships available online or at the door.
Rescuing Eden presents 30 American gardens that are particularly distinctive in the stories of their creation and their “rescue” for the enjoyment and appreciation of future generations. Ranging from the historic gardens on Alcatraz Island in the San Francisco Bay to Peckerwood Garden outside Houston, these gardens represent a range of distinctive styles and help tell the story of gardening in America. Caroline Seebohm is a design historian and biographer, whose books include Boca Rococo, a biography of Palm beach architect Addison Mizner, as well as biographies of Marietta Tree, Conde Nast, and Florida sculptor Ann Norton.
Curtice Taylor is a well-known landscape and garden photographer whose work is widely published.
The book will be available for sale at the event.
RSVP and questions: email@example.com
Purchase tickets at mkt.com/peckerwood-garden-conservation-foundation
Seating is limited; please reserve by November 2.
Event sponsored by
Houston’s 5 Best Public Gardens
Most of the plants in this 10-acre botanical garden, located about halfway between Houston and College Station, were grown from seeds collected by its founder, retired Texas A&M architecture professor John Gaston Fairey, over decades of trips to Mexico. Founded as a private garden, the grounds are now open to the public, and feature a wide array of Asian and native Texas plants, interspersed with Mexican sculptures from Fairey’s extensive collection.
“Peckerwood Garden created with the eye of an artist” by Kathy Huber.
After more than four decades, John Fairey sees no end to the planting at Peckerwood Garden, his legendary living laboratory near Hempstead.
“I’m always thinking about what to add,” the gracious 84-year-old South Carolina native says as he gently lifts the leaf of a fish-tail camellia for closer inspection. “I like to collect. Maybe that’s good, maybe bad. But part of the mystery of gardening is what people can grow.”
At least 70 plants are waiting in the wings at Peckerwood, but the plantsman will take the time needed to strategically place each among the 3,000 rare and unusual species and cultivars from around the world. He’ll thumb through a pile of catalogs for even more possibilities.
A collector’s enthusiasm can nix good garden design. But Fairey, an artist and retired Texas A&M design professor, has a keen, patient eye that places each plant so that its shape, color and texture are cast in perfect light.
“I think about the garden as a painting,” he says of his evolving canvas on the rolling land.
This article about Peckerwood Garden appeared in the Houston Chronicle Feb. 23, 2015. Read the full article online.
Article about John Fairey and Peckerwood Garden by Pam Penick. Photos by Marion Brenner. Read the full article online.